The Year of the Death of Ricardo Reis

Ricardo Reis had told the manager, I would like breakfast brought up to my room at nine-thirty. Not that he intended to sleep so late, but he wished to avoid having to jump out of bed half-awake, struggling to slip his arms into the sleeves of his dressing gown, groping for his slippers, and feeling panic that he wasn't moving quickly enough to satisfy whoever was standing outside his door, arms laden with a huge tray bearing coffee and milk, toast, a sugar bowl, perhaps some cherry preserve or marmalade, a slice of dark grainy quince paste, a sponge cake, brioches with a fine crust, crunchy biscuits, or slices of French toast, those scrumptious luxuries served in hotels. We shall soon learn if the Branganca goes in for such extravagance, because Ricardo Reis is about to sample his first breakfast. It would be nine-thirty on the dot, Salvador promised him, and did not promise in vain, for here at nine-thirty on the dot Lydia is knocking on the door.

The observant reader will say that this is impossible, she has both her arms occupied, but we would be in a sorry state if we had to hire only servants who possess three arms or more. This maid, without spilling a drop of milk, manages to knock gently with her knuckles, while the hand belonging to those knuckles continues to support the tray. One must see this to believe it, as she calls out, Your breakfast, Doctor, which is what she was instructed to say, and although a woman of humble origins, she has not forgotten her instructions. If Lydia were not a maid, there is every indication that she would make an excellent tightrope walker, juggler, or magician, for she has talent enough for any of those professions. What is incongruous about her is that, being a maid, she should be called Lydia and not Maria. Ricardo Reis is already dressed and presentable, he has shaved and his dressing gown is tied at the waist.