Explore "The Year of the Death of Ricardo Reis" by José Saramago on Textopian. Read with annotations and highlights.
Victor is nervous. This mission is one of enormous responsibility, not to be compared with the routine job of tailing suspects, bribing hotel managers, interrogating porters who spill the beans immediately. He puts his right hand to his hip to feel the reassuring presence of his pistol, then takes from the inside pocket of his jacket, very slowly, with the tip of his fingers, a peppermint lozenge. He unwraps it with infinite care, because in the silence of the night the sound of rustling paper can be heard ten paces away, this is unwise of him, an infringement of security regulations, but the smell of onion, perhaps because of his nervousness, has become intense and there is the danger that at the critical moment his prey might flee, being downwind of him.
Hidden behind tree trunks, concealed in doorways, Victor's henchmen are waiting for the signal, they gaze steadily at the window from which filters an almost invisible thread of light, the fact that the inside shutters are closed in this heat is itself an indication of conspiracy. One of Victor's henchmen hefts the crowbar with which he will prize open the door, another slips the fingers of his left hand into an iron knuckle-duster, both men, much experienced, will leave a trail of shattered hinges and broken jaws. On the sidewalk opposite stands another policeman, behaving like an innocent passerby or rather a law-abiding citizen returning home to this building, but he does not rap with the knocker for his wife to come and open up, What kept you so late. In less than fifteen seconds the door is opened just as effectively by crowbar, the first obstacle overcome.