The Art of Playing by Gelett Burgess — Read

Time was when we made our own toys; when a piece of twine, a spool, a few nails and a bit of imagination could keep us busy and happy all day long. There were no new-fangled iron toys "made in Germany," so tiresome in their inevitable little routine of performance, so easily got out of order, and so hard, metallic and realistic as to be hardly worth the purchase. A penny would, indeed, buy some funny carved wooden thing that aroused a half-hour's excitement, but it was never quite so alluring as when in the front window of the toy-shop. Such queer animals never became thoroughly acclimated to the nursery, and they lost their lustre in a half-holiday. The things that gave permanent satisfaction were home-made, crude and capable of transformation. A railway train might, with a small effort of the fancy, become a ship or a dragon. Are there such amateur toy-builders now, in this age when everything is perfect and literal, when even a box of building-blocks contains a book of plans to supply imaginative design to the modern child? Indeed, many children are nowayears too lazy even to do their own playing. I have heard of one who was used to sit on a chair and order his nurse to align his ninepins and bowl them down for him!

Perhaps one notices the lack of creative ability in children more in the city where ready-made toys are cheap and accessible, than in the country where the whole world is full of wonderful possibilities for entrancing pastime. Nature is the universal playmate, perpetually parodying herself in miniature for the benefit of those who love to amuse themselves with her toys. Every brook is a little river, every pond an unfathomable sea. She plants tiny forests of fern and raises microscopic mountains in every sand-bank. Flowers and plants furnish provender for Lilliputian groceries, the oak showers acorn cups; what wonder we believe, as long as we can, in fairies?