The Technique of the Mystery Story

Explore "The Technique of the Mystery Story" by Carolyn Wells on Textopian. Read with annotations and highlights.

Gordon Holmes inclines to Wilkie Collins' plan of contrasting the appearance of the real detective and the fictional at once. In "A Mysterious Disappearance" he presents these opposite physical effects: Inspector White, of Scotland Yard, was announced, and a short, thick-set man entered. He was absolutely round in every part. His sturdy, rotund frame was supported on stout, well-moulded legs. His bullet head, with close-cropped hair, gave a suggestion of strength to his rounded face, and a pair of small bright eyes looked suspiciously on the world from beneath well-arched eyebrows.

Two personalities more dissimilar than those of Claude Bruce and Inspector White could hardly be brought together in the same room. People who are fond of tracing resemblances to animals in human beings would liken the one to a gray-hound, the other to a bull-dog.

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