Explore "The Jovial Ghosts: The Misadventures of Topper" by Thorne Smith on Textopian. Read with annotations and highlights.
For some minutes now Scollops had been gazing searchingly at Mr. Topper. And Mr. Topper was troubled. Not definitely troubled, but vaguely so, which to some persons is the most troublesome form of trouble. Mr. Topper was one of such persons. In fact he was highly representative of the type. So free from trouble had Topper's days been that gradually he had come to regard with suspicion all creatures not likewise unencumbered. An earthquake, an eruption or tidal wave would mildly move Cosmo Topper, arouse him to the extent of a dollar donation which would later be deducted from his income tax; whereas a newspaper story dealing with bankruptcy, crimes of violence or moral looseness would cause him speedily to avert his eyes to less disturbing topics. Mr. Topper could excuse nature and the Republican Party, but not man. He was an institutional sort of animal, but not morbid. Not apparently. So completely and successfully had he inhibited himself that he veritably believed he was the freest person in the world. But Mr. Topper could not be troubled. His mental process ran safely, smoothly, and on the dot along well signalled tracks; and his physical activities, such as they were, obeyed without question an inelastic schedule of suburban domesticity. He resented being troubled. At least he thought he did. That was Mr. Topper's trouble, but at present he failed to realise it.
He experienced now something of the same resentment that came to him upon being delayed in the tunnel on his way home from the city. Things were going on round him in the tunnel, dreadful things, perhaps, but he did not know what they were. He sat in a blaze of light in the midst of clanking darkness. Surrounded by familiar things he felt stuffy and uncomfortable. Even his newspaper lost its wonted stability. Yes, it was a decidedly objectionable feeling that Mr. Topper had to-night as he gave himself to the solicitous embrace of his arm chair and followed with a dull gaze the rug's interminable border design-- a Doric motif, clean-cut and geometrically accurate. Once this design had appealed to his abiding sense of order. To-night he hardly saw it, although without his knowledge it was wearying his eyes, and had been doing so for several months.