Explore "Time Regained" by Marcel Proust on Textopian. Read with annotations and highlights.
The new sanatorium to which I then retired did not cure me any more than the first one and a long time passed before I left it. During my railway-journey back to Paris the conviction of my lack of literary gifts again assailed me. This conviction which I believed I had discovered formerly on the Guermantes side, that I had recognised still more sorrowfully in my daily walks at Tansonville with Gilberte before going back to dinner or far into the night, and which on the eve of departure I had almost identified, after reading some pages of the Mémoires of the Goncourts, as being synonymous with the vanity and lie of literature, a thought less sad perhaps but still more dismal if its reason was not my personal incompetence but the non-existence of an ideal in which I had believed, that conviction which had not for long re-entered my mind, struck me anew and with more lamentable force than ever. It was, I remember, when the train stopped in open country and the sun lit half-way down their stems the line of trees which ran alongside the railway. "Trees," I thought, "you have nothing more to tell me, my cold heart hears you no more. I am in the midst of Nature, yet it is with boredom that my eyes observe the line which separates your luminous countenance from your shaded trunks. If ever I believed myself a poet I now know that I am not one. Perhaps in this new and barren stage of my life, men may inspire me as Nature no longer can and the years when I might perhaps have been able to sing her beauty will never return." But in offering myself the consolation that possible observation of humanity might take the place of impossible inspiration, I was conscious that I was but seeking a consolation which I knew was valueless. If really I had the soul of an artist, what pleasure should I not be now experiencing at the sight of that curtain of trees lighted by the setting sun, of those little field-flowers lifting themselves almost to the foot-board of the railway carriage, whose petals I could count and whose colours I should not dare describe as do so many excellent writers, for can one hope to communicate to the reader a pleasure one has not felt? A little later I had observed with the same indifference, the lenses of gold and of orange into which the setting sun had transformed the windows of a house; and then, as the hour advanced, I had seen another house which seemed made of a strange pink substance. But I had made these various observations with the indifference I might have felt if, when walking in a garden with a lady, I had remarked a leaf of glass and further on an object like alabaster the unusual colour of which would not have distracted me from agonising boredom but which I had pointed at out of politeness to the lady and to show her that I had noticed them though they were coloured glass and stucco. In the same way as a matter of conscience I registered within myself as though to a person who was accompanying me and who would have been capable of getting more pleasure than I from them, the fiery reflections in the window-panes and the pink transparence of the house. But that companion whose notice I had drawn to these curious effects was doubtless of a less enthusiastic nature than many well disposed people whom such a sight would have delighted, for he had observed the colours without any sort of joy.
Since my name was on their visiting-lists, my long absence from Paris had not prevented old friends from sending me invitations and when, on getting home, I found together with an invitation for the following day to a supper given by La Berma in honour of her daughter and her son-in-law, another for an afternoon reception at the Prince de Guermantes', my sad reflections in the train were not the least of the motives which counselled me to go there. I told myself it really was not worth while to deprive myself of society since I was either not equipped for or not up to the precious "work" to which I had for so long been hoping to devote myself "to-morrow" and which, may be, corresponded to no reality. In truth, this reasoning was negative and merely eliminated the value of those which might have kept me away from this society function. But what made me go was that name of Guermantes which had so far gone out of my head that, when I saw it on the invitation card, it awakened a beam of attention and laid hold of a fraction of the past buried in the depths of my memory, a past associated with visions of the forest domain, its rich luxuriance once again assuming the charm and significance of the old Combray days when, before going home, I passed into the Rue de l'Oiseau and saw from outside, like dark lacquer, the painted window of Gilbert le Mauvais, Sire of Guermantes. For a moment the Guermantes seemed once more utterly different from society people, incomparable with them or with any living beings, even with a king, beings issuing from gestation in the austere and virtuous atmosphere of that sombre town of Combray where my childhood was spent, and from the whole past represented by the little street whence I gazed up at the painted window. I longed to go to the Guermantes' as though it would bring me back my childhood from the deeps of memory where I glimpsed it. And I continued to re-read the invitation until the letters which composed the name, familiar and mysterious as that of Combray itself, rebelliously recaptured their independence and spelled to my tired eyes a name I did not know.