The Victim and the Worm by Phyllis Bottome

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Onoria Strickland had an imagination that centralised its own experiences.

She believed that for pure drama Little Ticklington outshone Paris. Its crimes were more lurid, its adventures more romantic, its types of character more truly representative of human nature. Her own career often seemed to Onoria Napoleonic, and her friends and her enemies were always larger than life.

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