To Leeward by F. Marion Crawford — Read

A country-house is a glass house. The more people there are staying in it, the more fragile and delicate are the walls, and the more probability there is that some one will be inspired by the Evil One to throw stones. Sometimes it happens that two or three of a party fight a pitched battle, and then some lucky lovers who have nothing to do with the hostilities are forgotten and overlooked in the din of war. But if there is one thing in the world more certain to get out than murder it is love, righteous or unrighteous. Lovers who desire secrecy should never go to country-houses together.

It seems to them as though each and every member of the household had especially adopted a set of vile and pernicious habits; a determination to be where they ought not, at all sorts of unexpected hours; to come skulking round corners under the empty pretext of seeking shade, and to be found lurking in wooded dells on pretence of studying natural history. There is the matutinal fiend, who shaves at the window in the grey dawn and sees people who have got up for an early walk; and, verily, they feel like worms when they glance up and see his beak and talons at the casement. There is also the demon that walketh in darkness, smoking a midnight cigar on the lawn before going to bed. There is the midday dragon, green-eyed and loathly to behold, who steals out in old gloves and a parasol immediately after luncheon, because she has left her glasses on the mossy seat under the trees, just out of sight of the house, and must needs find them.