Thomas Gray by A.C. Benson — Read

EVERY boy who leaves Eton creditably is presented with a copy of the works of Gray, for which everything has been done that the art of printers, bookbinders and photographers can devise. This is one of the most curious instances of the triumphs of genius, for there is hardly a single figure in the gallery of Etonians who is so little characteristic of Eton as Gray. His only poetical utterance about his school is one which is hopelessly alien to the spirit of the place, though the feelings expressed in it are an exquisite summary of those sensations of pathetic interest which any rational man feels at the sight of a great school. And yet, though the attitude of the teacher of youth is professedly and rightly rather that of encouragement than of warning, though he points to the brighter hopes of life rather than brandishes the horrors that infest it, yet the last word that Eton says to her sons is spoken in the language of one to whom elegy was a habitual and deliberate tone.

Gray's was in many ways a melancholy life. His vitality was low, and such happiness as he enjoyed was of a languid kind. Physically and emotionally he was unfit to cope with realities, and this though he never felt the touch of some of the most crushing evils that humanity sustains. He was never poor, he was never despised, he had many devoted friends; but on the other hand he had a wretched and diseased constitution, he suffered from all sorts of prostrating complaints, from imaginary insolences, violent antipathies, and want of sympathy.