Explore "La Femme Noir" by Ann Maria Hall on Textopian. Read with annotations and highlights.
People find it easy enough to laugh at "spirit-stories" in broad daylight, when the sunbeams dance upon the grass, and the deepest forest glades are spotted and checkered only by the tender shadows of leafy trees; when the rugged castle, that looked so mysterious and so stern in the looming night, seems suited for a lady's bower; when the rushing waterfall sparkles in diamond showers, and the hum of bee and song of bird tune the thoughts to hopes of life and happiness; people may laugh at ghosts then, if they like, but as for me, I never could merely smile at the records of those shadowy visitors. I have large faith in things supernatural, and cannot disbelieve solely on the ground that I lack such evidences as are supplied by the senses; for they, in truth, sustain by palpable proofs so few of the many marvels by which we are surrounded, that I would rather reject them altogether as witnesses, than abide the issue entirely as they suggest.
My great grandmother was a native of the canton of Berne; and at the advanced age of ninety, her memory of "the long ago" was as active as it could have been at fifteen; she looked as if she had just stepped out of a piece of tapestry belonging to a past age, but with warm sympathies for the present. Her English, when she became excited, was very curious--a mingling of French, certainly not Parisian, with here and there scraps of German done into English, literally--so that her observations were at times remarkable for their strength. "The mountains," she would say, "in her country, went high, high up, until they could look into the heavens, and hear God in the storm." She never thoroughly comprehended the real beauty of England; but spoke with contempt of the flatness of our island--calling our mountains "inequalities," nothing more---holding our agriculture "cheap," saying that the land tilled itself, leaving man nothing to do. She would sing the most amusing patois songs, and tell stories from morning till night, more especially spirit-stories; but the old lady would not tell a tale of that character a second time to an unbeliever; such things, she would say, "are not for make-laugh." One in particular, I remember, always excited great interest in her young listeners, from its mingling of the real and the romantic; but it can never be told as she told it; there was so much of the picturesque about the old lady-- so much to admire in the curious carving of her ebony cane, in the beauty of her point lace, the size and weight of her long ugly earrings, the fashion of her solid silk gown, the singularity of her buckled shoes--her dark-brown wrinkled face, every wrinkle an expression---her broad thoughtful brow, beneath which glittered her bright blue eyes--bright, even when her eyelashes were white with years. All these peculiarities gave impressive effect to her words.