Work of Art by Sinclair Lewis

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Between New Haven and St. Louis, after a week in Black Thread with his mother, Myron made a pilgrimage to the hotels and restaurants of New York, nor was any palmer ever more refreshed by actually seeing the shrines of which all his life he had heard in reverent gossip. Stepping in awe through their corridors, humbly peeping at the morning-coated high priests and acolytes in brass buttons and monkey caps, he viewed the Waldorf-Astoria, the Hoffman House, the Holland House, the Fifth Avenue, the Murray Hill, the Savoy, Fraunces Tavern, the ancient Brevoort, Delmonico's, Sherry's, Mouquin's, Martin's, and Jack's, that chapel for night-hawk journalists and actors and politicians. The poet, incredulously seeing the actual floors trod once by the masters at Dove Cottage and Stratford and Weimar; the poet standing stilled in the English Cemetery in Rome before the grave of one whose name was writ in water.

Myron did not lodge at any of the cathedral hotels; he stayed at the Grand Union, for a dollar a night, and once in the lobby he saw its famous manager, Simeon Ford, the wit, and stood staring, foolish with admiration.

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