Explore "Jinrikisha Days in Japan" by Eliza Ruhamah Scidmore on Textopian. Read with annotations and highlights.
Among Japanese virtues stands hospitality, but, until the adoption of foreign dress and customs by the court nobles, no Japanese allowed his wife to receive general visitors, or entertain mixed companies. The Japanese is, consequently, a born club-man, and makes the club-house a home. The Rokumeikwan, or Tokio Nobles' Club, is the most distinguished of these corporations. Its president is an imperial prince, and its members are diplomats, nobles, officials, rich citizens, and resident foreigners. The exquisite houses and gardens of the smaller, purely Japanese clubs, are perfect specimens of native architecture, decoration, and landscape gardening. By an arrangement of sliding screens, the houses themselves may afford one large room or be divided into many small ones, besides the tiny boxes in which are celebrated the rites of cha no yu, or ceremonial tea.
Their elaborate dinners, lasting for hours, with jugglers, dancers, and musicians between the courses, are very costly. Rich men display a Russian prodigality in entertaining, which was even greater in feudal times. A day or two after arriving in Japan it was my good-fortune to be a guest at one of these unique entertainments, given at the Koyokwan, or Maple Leaf Club-house, on the hill-side above the Shiba temples. We arrived at three o'clock, and were met at the door by a group of pretty nesans, or maids of the house, who, taking off our hats and shoes, led us, stocking-footed, down a shining corridor and up-stairs to a long, low room, usually divided into three by screens of dull gold paper. One whole side of this beautiful apartment was open to the garden beyond a railed balcony of polished cedar, and the view, across the maple-trees and dense groves of Shiba, to the waters of the Bay was enchanting. The decorations of the club-house repeat the maples that fill the grounds. The wall screens are painted with delicate branches, the _ramma_, or panels above the screens, are carved with them, and in the outer wall and balcony-rail are leaf-shaped openings. The dresses of the pretty nesans, the crape cushions on the floor, the porcelain and lacquer dishes, the saké bottles and their carved stands, the fans and bon-bons, all display the maple-leaf. In the _tokonoma_, or raised recess where the flower-vase and kakemono, or scroll picture, are displayed, and that small dais upon which the Emperor would sit if he ever came to the house, hung a shadowy painting, with a single flower in a bronze vase.