The Long Night by Stanley J. Weyman — Read

In his spacious chestnut-panelled parlour, in a high-backed oaken chair that had throned for centuries the Abbots of Bellerive, Messer Blondel sat brooding with his chin upon his breast. The chestnut-panelled parlour was new. The shields of the Cantons which formed a frieze above the panels shone brightly, the or and azure, gules and argent of their quarterings, undimmed by time or wood-smoke. The innumerable panes of the long heavily leaded windows which looked out on the Bourg du Four were still rain-proof; the light which they admitted still found something garish in the portrait of the Syndic -- by Schouten -- that formed the central panel of the mantelpiece. New and stately, the room had not its pair in Geneva; and dear to its owner's heart had it been a short, a very short time before. He had anticipated no more lasting pleasure, looked forward to no safer gratification for his declining years, than to sit, as he now sat, surrounded by its grandeur. In due time -- not at once, lest the people take alarm or his enemies occasion -- he had determined to rebuild the whole house after the same fashion. The plans of the oaken gallery, the staircase and dining-chamber, prepared by a trusty craftsman of Basle, lay at this moment in the drawer of the bureau beside his chair.

Now all was changed. A fiat had gone forth, which placed him alike beyond the envy of his friends, and the hatred of his foes. He must die. He must die, and leave these pleasant things, this goodly room, that future of which he had dreamed. Another man would lie warm in the chamber he had prepared; another would be Syndic and bear his wand. The years of stately plenty which he had foreseen, were already as last year's harvest. No wonder that the sheen of portrait and panel, the pride of echoing oak, were fled; or that the eyes with which he gazed on the things about him were dull and lifeless.