The Oriental World

India, like China, is a phenomenon antique as well as modern; one which has remained stationary and fixed, and has received a most perfect home-sprung development. It has always been the land of imaginative aspiration, and appears to us still as a Fairy region, an enchanted World. In contrast with the Chinese State, which presents only the most prosaic Understanding, India is the region of phantasy and sensibility. The point of advance in principle which it exhibits to us may be generally stated as follows: – In China the patriarchal principle rules a people in a condition of nonage, the part of whose moral resolution is occupied by the regulating law, and the moral oversight of the Emperor. Now it is the interest of Spirit that external conditions should become internal ones; that the natural and the spiritual world should be recognized in the subjective aspect belonging to intelligence; by which process the unity of subjectivity and [positive] Being generally – or the Idealism of Existence – is established. This Idealism, then, is found in India, but only as an Idealism of imagination, without distinct conceptions; – one which does indeed free existence from Beginning and Matter [liberates it from temporal limitations and gross materiality], but changes everything into the merely Imaginative; for although the latter appears interwoven with definite conceptions and Thought presents itself as an occasional concomitant, this happens only through accidental combination. Since, however, it is the abstract and absolute Thought itself that enters into these dreams as their material, we may say that Absolute Being is presented here as in the ecstatic state of a dreaming condition. For we have not the dreaming of an actual Individual, possessing distinct personality, and simply unfettering the latter from limitation, but we have the dreaming of the unlimited absolute Spirit.

There is a beauty of a peculiar kind in women, in which their countenance presents a transparency of skin, a light and lovely roseate hue, which is unlike the complexion of mere health and vital vigor – a more refined bloom, breathed, as it were, by the soul within – and in which the features, the light of the eye, the position of the mouth, appear soft, yielding, and relaxed. This almost unearthly beauty is perceived in women in those days which immediately succeed child-birth; when freedom from the burden of pregnancy and the pains of travail is added to the joy of soul that welcomes the gift of a beloved infant. A similar tone of beauty is seen also in women during the magical somnambulic sleep, connecting them with a world of superterrestrial beauty. A great artist (Schoreel) has moreover given this tone to the dying Mary, whose spirit is already rising to the regions of the blessed, but once more, as it were, lights up her dying countenance for a farewell kiss. Such a beauty we find also in its loveliest form in the Indian World; a beauty of enervation in which all that is rough, rigid, and contradictory is dissolved, and we have only the soul in a state of emotion – a soul, however, in which the death of free self-reliant Spirit is perceptible. For should we approach the charm of this Flower-life – a charm rich in imagination and genius – in which its whole environment and all its relations are permeated by the rose-breath of the Soul, and the World is transformed into a Garden of Love – should we look at it more closely, and examine it in the light of Human Dignity and Freedom – the more attractive the first sight of it had been, so much the more unworthy shall we ultimately find it in every respect.