The altar fire by A.C. Benson

I have been looking at a catalogue, this morning, of the publications of a firm that is always bringing out new editions of old writers. I suppose they find a certain sale for these books, or they would not issue them; and yet I cannot conceive who buys them in their thousands, and still less who reads them. Teachers, perhaps, of literature; or people who are inspired by local lectures to go in search of culture? It is a great problem, this accumulation of literature; and it seems to me a very irrational thing to do to republish the complete works of old authors, who perhaps, in the midst of a large mass of essentially second-rate work, added half-a-dozen lyrics to the literature of the world. But surely it is time that we began to select? Whatever else there is time for in this world, there certainly is not time to read old half-forgotten second-rate work.

Of course people who are making a special study of an age, a period, a school of writers, have to plough through a good deal that is not intrinsically worth reading; but, as a rule, when a man has done this, instead of saying boldly that the greater part of an author's writings may be wisely neglected and left alone, he loses himself in the critical discrimination and the chronological arrangement of inferior compositions; perhaps he rescues a few lines of merit out of a mass of writing; but there is hardly time now to read long ponderous poems for the sake of a few fine flashes of emotion and expression. What, as a rule, distinguishes the work of the amateur from the work of the great writer is that an amateur will retain a poem for the sake of a few good lines, whereas a great writer will relentlessly sacrifice a few fine phrases, if the whole structure and texture of the poem is loose and unsatisfactory.