Explore "The Mill on the Floss" by George Eliot on Textopian. Read with annotations and highlights.
Secrets are rarely betrayed or discovered according to any programme our fear has sketched out. Fear is almost always haunted by terrible dramatic scenes, which recur in spite of the best-argued probabilities against them; and during a year that Maggie had had the burden of concealment on her mind, the possibility of discovery had continually presented itself under the form of a sudden meeting with her father or Tom when she was walking with Philip in the Red Deeps. She was aware that this was not one of the most likely events; but it was the scene that most completely symbolised her inward dread. Those slight indirect suggestions which are dependent on apparently trivial coincidences and incalculable states of mind, are the favourite machinery of fact, but are not the stuff in which imagination is apt to work.
Certainly one of the persons about whom Maggie's fears were furthest from troubling themselves was her aunt Pullet, on whom, seeing that she did not live in St. Ogg's, and was neither sharp-eyed nor sharp-tempered, it would surely have been quite whimsical of them to fix rather than on aunt Glegg. And yet the channel of fatality -- the pathway of the lightning -- was no other than aunt Pullet. She did not live at St. Ogg's, but the road from Garum Firs lay by the Red Deeps, at the end opposite that by which Maggie entered.