The Writing of Fiction by Edith Wharton — Read

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Goethe declared that only the Tree of Life was green, and that all theories were gray; and he also congratulated himself on never "having thought about thinking." But if he never thought about thinking he did think a great deal about his art, and some of the axioms he laid down for its practice go deeper than those of the professed philosophers.

The art of fiction, as now practised, is a recent one, and the arts in their earliest stages are seldom theorized on by those engaged in creating them; but as soon as they begin to take shape their practitioners, or at least those of the number who happen to think as well as to create, perforce begin to ask themselves questions. Some may not have Goethe's gift for formulating the answers, even to themselves; but these answers will eventually be discoverable in an added firmness of construction and appropriateness of expression. Other writers do consciously lay down rules, and in the search for new forms and more complex effects may even become the slaves of their too-fascinating theories. These are the true pioneers, who are never destined to see their own work fulfilled, but build intellectual houses for the next generation to live in.

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