Knights of Art by Amy Steedman

As we look back upon the lives of the great painters we can see how each one added some new knowledge to the history of Art, and unfolded fresh beauties to the eyes of the world. Very gradually all this was done, as a bud slowly unfolds its petals until the full-blown flower shows forth its perfect beauty. But here and there among the painters we find a man who stands apart from the rest, one who takes a new and almost startling way of his own. He does not gradually add new truths to the old ones, but makes an entirely new scheme of his own. Such a man was Giorgione, whose story we tell to-day.

It was at the same time as Leonardo da Vinci was the talk of the Florentine world, that another great genius was at work in Venice, setting his mark high above all who had gone before. Giorgio Barbarelli was born at Castel Franco, a small town not far from Venice, and it was to the great city of the sea that he was sent as soon as he was old enough, there to be trained under the famous Bellini. He was a handsome boy, tall and well-built, and with such a royal bearing that his companions at once gave him the name of Giorgione, or George the Great. And, as so often happened in those days, the nickname clung to him, so that while his family name is almost forgotten he is still known as Giorgione.