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Abbé Lantaigne, principal of the high seminary, and M. Bergeret, professor of literature, were seated in conversation on a bench on the Mall, according to their custom in summer. On every subject they were opposed in opinion; never were two men more different in mind and character. But they were the only people in the town who took an interest in general ideas. This fellow-feeling united them. While philosophising beneath the quincunxes when the weather was fine, they consoled each other, one for the loneliness of celibacy, the other for the vexations of domestic life; both for their professional cares and for the unpopularity each alike shared.
On this particular day they could see from the bench where they sat the monument of Jeanne d'Arc still shrouded in wrappings. The Maid having once slept a night in the town, at the house of an honest dame called la Gausse, in 189– the municipality, with the concurrence of the State, had caused a monument to be raised to commemorate this stay. This monument, the work of two artists, the one a sculptor and the other an architect, both natives of the district, displayed the Maid fully armed, standing, meditative, on a high pedestal.