The Freaks of Mayfair by E.F. Benson — Read

Horace Campbell has an unerring gift of smudging whatever he speaks of. As he speaks most of the time, he manages to smudge a good deal, and in consequence is in great demand at somewhat smudgy houses by reason of his appropriate and amusing conversation. Every decent man would like to kick him, and every nice woman would like to slap his fat white face, and so his habitats are the establishments of those not so foolishly particular. But though he lunches and dines without intermission at other people's houses, he is in no degree one who sings for his dinner, for he has a quite distinct career of his own, and spends his mornings earning not daily bread only, but truffles and asparagus and all the more expensive foods, by teaching other people to sing. His knowledge of voice-production is quite unrivalled, and he could probably, if he chose, turn a corn-crake into a contralto.

The enormous fees that he charges thus enable him to compress into three hours the period of his working day, and during that time he is the father and mother of most of the beautiful noises that next year will be heard rising from human throats at concerts and opera-houses. Then, his business being over and his pocket fat, he puts on his black morning coat, and his cloth-topped shoes, his grey silk tie with the pearl tie-pin, and goes forth to cause himself as well as his pocket to grow fat, and makes a music of his own.