Explore "Volodia" by Anton Chekhov on Textopian. Read with annotations and highlights.
One Sunday evening in spring Volodia, a plain, shy, sickly lad of seventeen, was sitting, a prey to melancholy, in a summer-house on the country place of the Shumikins. His gloomy reflections flowed in three different channels. In the first place, to-morrow, Monday, he would have to take an examination in mathematics. He knew that if he did not pass he would be expelled from school, as he had already been two years in the sixth grade. In the second place, his pride suffered constant agony during his visits to the Shumikins, who were rich people with aristocratic pretensions. He imagined that Madame Shumikin and her nieces looked down upon his mother and himself as poor relations and dependents, and that they made fun of his mother and did not respect her. He had once overheard Madame Shumikin saying on the terrace to her cousin Anna Feodorovna that she was still pretending to be young, and that she never paid her debts and had a great hankering after other people's shoes and cigarettes. Every day Volodia would implore his mother not to go to the Shumikins' again. He painted for her the humiliating rôle which she played among these people, he entreated her and spoke rudely to her, but the spoiled, frivolous woman, who had wasted two fortunes in her day, her own and her husband's, yearned for high life and refused to understand him, so that twice every week Volodia was obliged to accompany her to the hated house.
In the third place, the lad could not free himself for a moment from a certain strange, unpleasant feeling that was entirely new to him. He imagined himself to be in love with Anna Feodorovna, the cousin and guest of Madame Shumikin. Anna Feodorovna was a talkative, lively, laughing little lady of thirty; healthy, rosy, and strong, with plump shoulders, a plump chin, and an eternal smile on her thin lips. She was neither pretty nor young. Volodia knew this perfectly well, and for that very reason he was unable to refrain from thinking of her, from watching her as she bent her plump shoulders over her croquet mallet, or, as she, after much laughter and running up and down-stairs, sank all out of breath into a chair, and with half-closed eyes pretended that she felt a tightness and strangling across the chest. She was married, and her husband was a staid architect who came down into the country once a week, had a long sleep, and then returned to the city. This feeling on Volodia's part began with an unreasoning hatred of the architect, and a sensation of joy whenever he returned to the city.