The Heart of Princess Osra by Antonio Hope

Read "The Heart of Princess Osra" by Antonio Hope online for free on Textopian. Full text with search, annotations, highlights, and AI-powered reading aids.

When the twenty-first birthday of the Princess Osra approached, her brother King Rudolf, desiring to make her a present, summoned from his home at Verona, in Italy, a painter of very high fame, by name Giraldo, and commanded him to paint a portrait of the Princess, to be her brother's gift to her. This command Giraldo carried out, the Princess giving him every opportunity of studying her features and grudging no time that was spent by her in front of his easel; and the picture, when finished, being pronounced to be as faithful as beautiful the reputation of Giraldo was greatly enhanced by the painting of it. Thus it followed that in many cases, when foreign Princes had heard the widespread praises of Osra's beauty, they sent orders to Giraldo to execute for them, and despatch with all speed, miniatures or other portraits of the Princess, that they might judge for themselves whether she were in truth as lovely as report said; and they sent Giraldo large sums of money in recompense, adding not seldom some further donation on the express term and condition that Giraldo should observe absolute fidelity in his representation and not permit himself the least flattery. For some desired themselves to court her, and others intended their sons to ask her hand, if the evidence of Giraldo's portraits satisfied their hopes. So Giraldo, although but two or three years above thirty, grew in both fame and wealth, and was very often indebted to the Princess for the favour of a visit to his house, that he might again correct his memory of her face.

Now what several Princes had done before, it chanced that the King of Glottenberg also did; and Giraldo, to all appearance much pleased, accepted the command, and prayed the Princess to visit him; for, he said, this picture was to be larger and more elaborate than the rest, and therefore needed more study of her. So the Princess went many times, and the portrait destined for the King of Glottenberg (who was said to be seeking a suitable alliance for his eldest son) grew before her eyes into the most perfect and beautiful presentment of her which the skill of Giraldo had ever accomplished, surpassing even that first picture which he had painted by King Rudolf's command. The King made no doubt that, so soon as the picture had reached the Court of Glottenberg, an embassy would come from there to demand the hand of his sister for the Crown Prince, a proposal which he would have received with much pleasure and gratification.

Reading navigation