A Young Man's Year by Antonio Hope

IN the end the Syndicate left to Joe Halliday the responsibility of deciding on the future of the unfortunate farce, so far as it had a future on which to decide. On mature reflection Joe was for acting on the sound business principle of 'cutting a loss,' and the turn of events reinforced his opinion. They had taken the Burlington for four weeks certain, and the liability for rent was a serious fact and a heavy item to reckon with. Another dramatic venture wanted a home, and Joe had the opportunity of sub-letting the theatre for the last two weeks of the term. By and with the advice of Mr. Etheringham he closed with the offer. _Did You Say Mrs?_ dragged on for its fortnight, never showing vitality enough to inspire any hope of its recovering from the rude blow of the first night. In the day-time new figures filled the stage of the Burlington, new hopes and fears centred there. Only Mr. Etheringham remained, producing the new venture with the same fiery and inexhaustible energy, lifting dead weights with his hands, toiling, moiling, in perpetual strife. Gone soon were all the others who had become so familiar, from the great Mr. Spring, the Indefatigable, downwards, some to other engagements, some left "out" -- _debris_ from the wreck of the unhappy _Did You Say Mrs?_

Gone too, soon, was Miss Ayesha Layard with her infectious laugh. For her sake Arthur had sat through the farce once again -- not even for her sake twice, so inconceivably flat had it now become to him. He had gone round and seen her, but she had other guests and no real conversation was possible. Then he saw in the papers that she was to go to America; a manager from that country had come to see the piece, and, though he did not take that, he did take Miss Layard, with whose talents he was much struck. He offered a handsome salary, and she jumped at it. Joe let her go three days before the end of the hopeless little run. One of the last items of the Syndicate's expenditure was a bouquet of flowers, presented to her at Euston on the morning of her departure. Arthur went to see her off, found her surrounded by folk strange to him, had just a hand-clasp, a hearty greeting, a merry flash from her eyes, and, as he walked off, the echo of her laugh for a moment in his ears. The changes and chances of theatrical life carried her out of his orbit as suddenly as she had come into it; she left behind her, as chief legacy, just that vivid memory which linked her so fantastically with Bernadette.