The Painted Veil by William Somerset Maugham

All the next day Kitty thought of the convent; and the morning after, early, soon after Walter had gone, taking the amah with her to get chairs, she crossed the river. It was barely day and the Chinese crowding the ferry boat, some in the blue cotton of the peasant, others in the black robes of respectability, had a strange look of the dead being borne over the water to the land of shadow. And when they stepped ashore they stood for a little at the landing-place uncertainly as though they did not quite know where to go, before desultorily, in twos and threes, they wandered up the hill.

At that hour the streets of the city were very empty so that more than ever it seemed a city of the dead. The passers-by had an abstracted air so that you might almost have thought them ghosts. The sky was unclouded and the early sun shed a heavenly mildness on the scene; it was difficult to imagine, on that blithe, fresh and smiling morn, that the city lay gasping, like a man whose life is being throttled out of him by a maniac's hands, in the dark clutch of the pestilence. It was incredible that nature (the blue of the sky was clear like a child's heart) should be so indifferent when men were writhing in agony and going to their death in fear. When the chairs were set down at the convent door a beggar arose from the ground and asked Kitty for alms. He was clad in faded and shapeless rags that looked as though he had raked them out of a muck-heap, and through their rents you saw his skin hard and rough and tanned like the hide of a goat; his bare legs were emaciated, and his head, with its shock of coarse grey hair (the cheeks hollow, the eyes wild), was the head of a madman. Kitty turned from him in frightened horror, and the chair-bearers in gruff tones bade him begone, but he was importunate, and to be rid of him, shuddering, Kitty gave him a few cash.