Fresh Fields by John Burroughs — Read

One does not seem really to have got out-of-doors till he goes to sea. On the land he is shut in by the hills, or the forests, or more or less housed by the sharp lines of his horizon. But at sea he finds the roof taken off, the walls taken down; he is no longer in the hollow of the earth's hand, but upon its naked back, with nothing between him and the immensities. He is in the great cosmic out-of-doors, as much so as if voyaging to the moon or to Mars. An astronomic solitude and vacuity surround him; his only guides and landmarks are stellar; the earth has disappeared; the horizon has gone; he has only the sky and its orbs left; this cold, vitreous, blue-black liquid through which the ship plows is not water, but some denser form of the cosmic ether. He can now see the curve of the sphere which the hills hid from him; he can study astronomy under improved conditions. If he was being borne through the interplanetary spaces on an immense shield, his impressions would not perhaps be much different. He would find the same vacuity, the same blank or negative space, the same empty, indefinite, oppressive out-of-doors.

For it must be admitted that a voyage at sea is more impressive to the imagination than to the actual sense. The world is left behind; all standards of size, of magnitude, of distance, are vanished; there is no size, no form, no perspective; the universe has dwindled to a little circle of crumpled water, that journeys with you day after day, and to which you seem bound by some enchantment. The sky becomes a shallow, close-fitting dome, or else a pall of cloud that seems ready to descend upon you. You cannot see or realize the vast and vacant surrounding; there is nothing to define it or set it off. Three thousand miles of ocean space are less impressive than three miles bounded by rugged mountains walls. Indeed, the grandeur of form, of magnitude, of distance, of proportion, are only upon shore. A voyage across the Atlantic is an eight or ten day sail through vacancy. There is no sensible progress; you pass no fixed points. Is it the steamer that is moving, or is it the sea? or is it all a dance and illusion of the troubled brain? Yesterday, to-day, and to-morrow, you are in the same parenthesis of nowhere. The three hundred or more miles the ship daily makes is ideal, not real. Every night the stars dance and reel there in the same place amid the rigging; every morning the sun comes up from behind the same wave, and staggers slowly across the sinister sky. The eye becomes a-hunger for form, for permanent lines, for a horizon wall to lift up and keep off the sky, and give it a sense of room. One understands why sailors become an imaginative and superstitious race; it is the reaction from this narrow horizon in which they are pent, -- this ring of fate surrounds and oppresses them. They escape by invoking the aid of the supernatural. In the sea itself there is far less to stimulate the imagination than in the varied forms and colors of the land. How cold, how merciless, how elemental it looks!