Our Standard-Bearer by Oliver Optic — Read

The horse is a noble animal, and it is by no means remarkable that a bond of sympathy has been established between great men and good horses. I have noticed that distinguished generals are always mounted on splendid steeds -- a fact of which painters and sculptors have availed themselves in their delineations, on canvas or in marble, of the heroes and mighty men of history. Bucephalus, the war-charger of Alexander the Great, seems to be almost a part of the Macedonian conqueror; Washington, in the various equestrian attitudes in which he is presented to the admiring gaze of the people by the artist, appears to gain power and dignity from the noble steed he rides; and scores of lesser heroes, dismounted and detached from the horse, would, so far as the eye is concerned, slip down from the pedestal of grandeur to the level of common men. Though it is sometimes unfortunate that the limner's idea of the man is better than of the horse, it will be universally acknowledged that the gallant steed adds dignity and grace to the hero.

Although it has not yet been the good fortune of the American people to behold any worthy equestrian delineation of our illustrious soldier, either on canvas or in marble, yet the popular ideal would represent him as a sort of Centaur -- half horse and half Grant. While I am by no means willing to acknowledge that every man who "talks horse" is necessarily a great man, it is undeniable that great military geniuses have figured attractively and appropriately in intimate association with this intelligent and noble animal. The inspired writers used the horse to add grandeur and sublimity to their imagery, and St. John's vision of Death on the Pale Horse thrills the soul by the boldness of the equestrian attitude in which it places the grim destroyer.