On the Heights by Berthold Auerbach

On the following morning, Bruno would have liked to return. What was the use of it all? Was he to act the fable of the little brother and sister over again, and to be the little brother who had gone in search of his sister? And what would be the result? A dreadful, agitating sight -- one which he could never banish from his memory. It would haunt him in his dreams -- a bloated, disfigured corpse with open mouth.

Bruno cast an injured look upon the friend who congratulated him on having slept so well, and on having thus gained new strength for the trials the day might have in store for him. Bruno looked at the intendant with feelings of anger and distrust. He felt almost certain that this man regarded the whole occurrence as a tragic drama, which would have to be mounted for the stage. It was evident to him that the intendant was using this as a study, of which he would avail himself in future scenic representations, and that he was observing his every gesture and feature, so that he might be able to instruct the actors under him; so that he might say: "Thus does one pose himself, and thus does one groan when he finds his sister's corpse -- Am I to be this puppet's puppet? No, never! "