Helen Vardon's Confession by R. Austin Freeman

THE respective merits of hard and soft porcelain have been, from time to time, warmly debated by collectors and experts, but never, perhaps, have they been more earnestly discussed than on the occasion of the opening of Miss Tallboy-Smith's exhibition. During the half-hour which preceded lunch, the central glass case and the additional show-cases which had been set up for the occasion were surrounded by groups of eager connoisseurs, and the contrasting virtues of the pate tendre and the more durable, if less beautiful, true porcelain were once more considered and expounded.

The attendance of the members and their friends must have been highly gratifying to Miss Tallboy-Smith, though it was no greater than was warranted by the importance of the exhibition; for the collection included representative pieces, not only of Chelsea, Bow, Nantgarw, Pinxton, and other English ware; but also of the old, French soft paste porcelain, including several early examples of Sevres. The preliminary glance at the collection had furnished material for conversation, as I could see by observing the occupants of the long central table, at the head of which sat the beaming hostess, supported by Major Dewham-Brown (who talked little, but consumed his food with intense concentration of purpose); and even our own small table, tucked away inconspicuously in a corner, was not immune from the influence of soft porcelain, for Mr. Hawkesley and my guest discussed the topic with a wealth of knowledge that reduced Mr. Davenant and me to respectful and attentive silence.