False Evidence by E. Phillips Oppenheim — Read

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At six o'clock on the following morning I was up and in the park. I had prepared myself for much, but what I saw exceeded everything. It is not part of my _rôle_ as story-teller to attempt long descriptions. I am not an artist or a descriptive writer, and were I to attempt to play the part of either I should most certainly fail. But the park and mansion of Devereux were one day bound to be mine, even though they brought me pauperdom, and despite the sorrow and bitter grief which were bound up in this recollection, a curious thrill, in which there was something of pleasure, passed through me as I looked upon them for the first time by daylight.

The cottage -- such a term was surely a misnomer, for it was three times as large as the habitable part of our Devonshire home -- stood at the extremity of the park nearest the house. Only a wire ring-fence separated the gardens from the soft springy turf of the park, which, studded with giant oak-trees, a revelation to me after the comparatively stunted growths of Devonshire, stretched away in one direction as far as I could see. Bordering it on one side, close behind the cottage, and curving round as though to form a fitting background for Devereux Court, was a low range of hills, some crowned with thick plantations of black fir, and others purple with the declining glory of the autumn heather. But the house was the grandest sight of all. A great architect might have learnedly protested against its want of any distinct style and its general want of outline, but he would have admired it all the same.

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