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When Frank Greystock left Bobsborough to go to Scotland, he had not said that he would return, nor had he at that time made up his mind whether he would do so or no. He had promised to go and shoot in Norfolk, and had half undertaken to be up in London with Herriot, working. Though it was holiday-time, still there was plenty of work for him to do -- various heavy cases to get up, and papers to be read, if only he could settle himself down to the doing of it. But the scenes down in Scotland had been of a nature to make him unfit for steady labour. How was he to sail his bark through the rocks by which his present voyage was rendered so dangerous? Of course, to the reader, the way to do so seems to be clear enough. To work hard at his profession; to explain to his cousin that she had altogether mistaken his feelings; and to be true to Lucy Morris was so manifestly his duty, that to no reader will it appear possible that to any gentleman there could be a doubt.
Instead of the existence of a difficulty, there was a flood of light upon his path -- so the reader will think; -- a flood so clear that not to see his way was impossible. A man carried away by abnormal appetites, and wickedness, and the devil, may of course commit murder, or forge bills, or become a fraudulent director of a bankrupt company. And so may a man be untrue to his troth -- and leave true love in pursuit of tinsel, and beauty, and false words, and a large income. But why should one tell the story of creatures so base? One does not willingly grovel in gutters, or breathe fetid atmospheres, or live upon garbage. If we are to deal with heroes and heroines, let us, at any rate, have heroes and heroines who are above such meanness as falsehood in love. This Frank Greystock must be little better than a mean villain, if he allows himself to be turned from his allegiance to Lucy Morris for an hour by the seductions and money of such a one as Lizzie Eustace.