A Murder of Quality by John le Carré — Read

It was Thursday evening and the Christian Voice had just been put to bed. This was scarcely a historic event in Fleet Street. The pimply boy from Dispatch who took away the ragged pile of page-proofs showed no more ceremony than was strictly demanded by the eventual prospect of his Christmas bonus. And even in this respect he had learned that the secular journals of Unipress were more provident of material charity than the Christian Voice; charity being in strict relationship to circulation.

Miss Brimley, the journal’s editor, adjusted the air cushion beneath her and lit a cigarette. Her secretary and sub-editor – the appointment carried both responsibilities – yawned, dropped the aspirin bottle into her handbag, combed out her ginger hair and bade Miss Brimley good night, leaving behind her as usual the smell of strongly scented powder and an empty paper-tissue box. Miss Brimley listened contentedly to the clipping echo of her footsteps as it faded down the corridor. It pleased her to be alone at last, tasting the anticlimax. She never failed to wonder at herself, how every Thursday morning brought the same slight uneasiness as she entered the vast Unipress building and stood a little absurdly on one escalator after the other, like a drab parcel on a luxury liner. Heaven knows, she had run the Voice for fourteen years, and there were those who said its layout was the best thing Unipress did. Yet the Thursday feeling never left her, the wakeful anxiety that one day, perhaps today, they wouldn’t be ready when the dispatch boy came. She often wondered what would happen then. She had heard of failures elsewhere in that vast combine, of features disapproved and staff rebuked. It was a mystery to her why they kept the Voice at all, with its expensive room on the seventh floor and a circulation which, if Miss Brimley knew anything, hardly paid for the paper-clips.