The Man in the Queue by Josephine Tey — Read

Grant was disconsolate. His radiance was dimmed as the Yard had never known it dimmed. He even snapped at the faithful Williams, and only the surprised hurt on that bland pink face recalled him to himself for a little. Mrs. Field blamed it unconditionally on the Scots: their food, their ways, their climate, and their country; and said dramatically to her husband, after the manner of a childish arithmetic, "If four days in a country like that makes him like this, what would a month do?" That was on the occasion when she was exhibiting to her better half the torn and muddy tweeds that Grant had brought back with him from his foray in the hills; but she made no secret of her beliefs and her prejudices, and Grant suffered her as mildly as his worried soul would permit. Back in the everyday routine and clearing-up arrears of work he would stop and ask himself, What had he left undone? What possible avenue of exploration had he left untravelled? He tried deliberately to stop himself from further questioning, to accept the general theory that the police case was too good to be other than true, to subscribe to Barker's opinion that he had "nerves" and needed a holiday. But it was no use. The feeling that there was something wrong somewhere always flowed back the minute he stopped bullying himself. If anything, the conviction grew as the slow, unproductive, tedious days passed, and he would go back in his mind to that first day, little more than a fortnight ago, when he had viewed an unknown body, and go over the case again from there. Had he missed a point somewhere? There was the knife that had proved so barren a clue an individual thing to be so unproductive. Yet no one had claimed to have seen or owned one like it. All it had done was to provide the scar on the murderer's hand--a piece of evidence conclusive only when allied with much more.

There was this, there was that, there was the other, but all of them stood the strain of pulling apart, and remained in their separate entities what they had been in the pattern of the whole; and Grant was left, as before, with the belief, so strong and so unreasonable that it amounted to superstition, that the monogrammed brooch in Sorrell's pocket was the key to the whole mystery; that it was shouting its tale at them, only they could not hear. It lay in his desk with the knife now, and the consciousness of it was with him continually. When he had nothing to do for the moment he would take both it and the knife from the drawer and sit there "mooning over them," as the sympathetic Williams reported to his subordinate. They were becoming a fetish with him. There was some connexion between the two--between the offering that Sorrell had made to a woman and the knife that had killed him. He felt that as strongly and distinctly as he felt the sunlight that warmed his hands as he played with the objects on the table. And yet both his own reason and that of others laughed at the idea. What had the brooch to do with the affair! Gerald Lamont had killed Sorrell with a small Italian knife--his grandmother had been Italian, and if he hadn't inherited the knife he had probably inherited the will to use one--after a quarrel in a queue. On his own showing he resented Sorrell's departure from Britain, leaving him jobless and more or less penniless. Sorrell had had the money to pay for his passage, but had not offered it. And on his own showing he had not known that Sorrell had given him any money until two days after the murder. Where did a pearl monogrammed brooch come into that? The little silver-and-enamel knife was a _piece de résistance_ in the case--a prince of exhibits. It would be photographed, paragraphed, and discussed in every house in England, and the little crack on its boss handle would hang a man. And all the time that pearl brooch, which would not appear in the case at all, glowed a silent and complete refutal of all their puny theories.