The Inheritance of Humour by Hilaire Belloc

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There are some truths which seem to get old almost as soon as they are born, and that simply because they are so astonishingly true that people soon get to feel as though they have known them all their lives; and such a truth is that which first one writer and then another in the last five years has been insisting upon, until it is already a perfect commonplace that nations do not know their own qualities. The inmost, the characteristic thing, that which differentiates one community from another, as tastes or colours differentiate things-_that_ a nation hardly ever knows until it is pointed out to it by some foreigner or by some observer from within. It cannot know it, because one cannot tell the very atmosphere in which one lives. It is universal and therefore unnoticed. Now, if this is true of any nation, it is particularly true of England. And English people need to be told morning, noon, and night, not indeed the particular national characteristic which they have, since for this no particular name could be found, but rather what its evidences are; as, for instance, spontaneity in design, a passion for the mystical in poetry and the arts; a power in water-colour, in which they are perhaps quite alone, and certainly the first in Europe; and, above all, the chief, the master thing of all, humour.

There is not nor ever will be anything like English humour. It is a thing quite apart, and by it for now more than two hundred years you may know England. It does not puzzle the foreigner (as the more blatant kind of intellectual man is too fond of boasting that it does); he simply admires it as a rule and wonders at it always; sometimes he actually dislikes it, but by it he knows that the thing he is reading is English and has the savour and taste of England.

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