The Fear of the Film by G.K. Chesterton — Read

Long lists are being given of particular cases in which children have suffered in spirits or health from alleged horrors of the kinema. One child is said to have had a fit after seeing a film; another to have been sleepless with some fixed idea taken from a film; another to have killed his father with a carving-knife through having seen a knife used in a film. This may possibly have occurred; though if it did, anybody of common sense would prefer to have details about that particular child, rather than about that particular picture. But what is supposed to be the practical moral of it, in any case? Is it that the young should never see a story with a knife in it? Are they to be brought up in complete ignorance of "The Merchant of Venice" because Shylock flourishes a knife for a highly disagreeable purpose? Are they never to hear of Macbeth, lest it should slowly dawn upon their trembling intelligence that it is a dagger that they see before them?

It would be more practical to propose that a child should never see a real carving-knife, and still more practical that he should never see a real father. All that may come; the era of preventive and prophetic science has only begun. We must not be impatient. But when we come to the cases of morbid panic after some particular exhibition, there is yet more reason to clear the mind of cant. It is perfectly true that a child will have the horrors after seeing some particular detail. It is quite equally true that nobody can possibly predict what that detail will be.