My Contemporaries in Fiction by David Christie Murray

Reade's position in literature is distinctly strange. The professional critics never came within miles of a just appreciation of his greatness, and the average 'cultured reader' receives his name with a droll air of allowance and patronage. But there are some, and these are not the least qualified as judges, who regard him as ranking with the great masters. You will find, I think, that the men holding this opinion are, in the main, fellow-workers in the craft he practised. His warmest and most constant admirers are his brother novelists. Trollope, to be sure, spoke of him as 'almost a man of genius,' but Trollope's mind was a quintessential distillation of the commonplace, and the man who was on fire with the romance and passion of his own age was outside the limit of his understanding. But amongst the writers of English fiction whom it has been my privilege to know personally, I have not met with one who has not reckoned Charles Reade a giant.

The critics have never acknowledged him, and, in a measure, he has been neglected by the public. There is a reason for everything, if we could only find it, and sometimes I seem to have a glimmering of light on this perplexing problem. Sir Walter Besant (Mr. Besant then) wrote in the 'Gentleman's Magazine' years ago a daring panegyric on Reade's work, giving him frankly a place among the very greatest. My heart glowed as I read, but I know now that it took courage of the rarer sort to express a judgment so unreserved in favour of a writer who never for an hour occupied in the face of the public such a position as is held by three or four men in our day, whom this dead master could have rolled in the hollow of his hand.