A Short History of England by G.K. Chesterton

It is the pathos of many hackneyed things that they are intrinsically delicate and are only mechanically made dull. Any one who has seen the first white light, when it comes in by a window, knows that daylight is not only as beautiful but as mysterious as moonlight. It is the subtlety of the colour of sunshine that seems to be colourless. So patriotism, and especially English patriotism, which is vulgarized with volumes of verbal fog and gas, is still in itself something as tenuous and tender as a climate. The name of Nelson, with which the last chapter ended, might very well summarize the matter; for his name is banged and beaten about like an old tin can, while his soul had something in it of a fine and fragile eighteenth-century vase. And it will be found that the most threadbare things contemporary and connected with him have a real truth to the tone and meaning of his life and time, though for us they have too often degenerated into dead jokes.

The expression "hearts of oak," for instance, is no unhappy phrase for the finer side of that England of which he was the best expression. Even as a material metaphor it covers much of what I mean; oak was by no means only made into bludgeons, nor even only into battle-ships; and the English gentry did not think it business-like to pretend to be mere brutes. The mere name of oak calls back like a dream those dark but genial interiors of colleges and country houses, in which great gentlemen, not degenerate, almost made Latin an English language and port an English wine.