Explore "On the Stage-And Off" by Jerome K. Jerome on Textopian. Read with annotations and highlights.
HEY charged me extra for the basket on the Great Eastern Line, and I have hated that company ever since. Of course it was over weight, but actors are good customers to the railways, and a little excess luggage is not, as a rule, too closely inquired into. The myrmidons at Bishopsgate, however, were inexorable. It was in vain I tried to persuade them that the thing was "as light as a feather. " They insisted on sticking it up edgeways on a shaky iron plate, and wobbling something up and down a bar; afterward giving me an absurd bit of paper with "4s. 4d. " on it, which, I explained, I didn't want, but which they charged me for just as though I had specially ordered it.
My destination was a small market-town in the eastern counties, where I arrived about mid-day. It was the most dead and alive place I have ever been to. All eastern county towns are more or less dead and alive -- particularly the former -- but this one was dreariness personified. Not a soul was to be seen outside the station. In the yard stood a solitary cab to which was attached a limp horse that, with head hanging down and knees bent out, looked the picture of resigned misery; but the driver had disappeared -- washed away by the rain, perhaps, which was pouring steadily down. I left my belongings in the cloak room, and walked straight to the theater. I passed two or three green posters on my way, headed: