Prayer and Dreams by Samuel Taylor Coleridge

There are three sorts of prayer: -- 1. Public; 2. Domestic; 3. Solitary. Each has its peculiar uses and character. I think the church ought to publish and authorise a directory of forms for the latter two. Yet I fear the execution would be inadequate. There is a great decay of devotional unction in the numerous books of prayers put out now-a-days. I really think the hawker was very happy, who blundered New Form of Prayer into New _former_ Prayers.[1]

I exceedingly regret that our church pays so little attention to the subject of congregational singing. See how it is! In that particular part of the public worship in which, more than in all the rest, the common people might, and ought to, join, -- which, by its association with music, is meant to give a fitting vent and expression to the emotions, -- in that part we all sing as Jews; or, at best, as mere men, in the abstract, without a Saviour. You know my veneration for the Book of Psalms, or most of it; but with some half dozen exceptions, the Psalms are surely not adequate vehicles of Christian thanksgiving and joy! Upon this deficiency in our service, Wesley and Whitfield seized; and you know it is the hearty congregational singing of Christian hymns which keeps the humbler Methodists together. Luther did as much for the Reformation by his hymns as by his translation of the Bible. In Germany, the hymns are known by heart by every peasant: they advise, they argue from the hymns, and every soul in the church praises God, like a Christian, with words which are natural and yet sacred to his mind. No doubt this defect in our service proceeded from the dread which the English Reformers had of being charged with introducing any thing into the worship of God but the text of Scripture.