Anna Christie by Eugene O'Neill — Read

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SCENE -- Ten days later. The stern of the deeply-laden barge, "SIMEON WINTHROP," at anchor in the outer harbor of Provincetown, Mass. It is ten o'clock at night. Dense fog shrouds the barge on all sides, and she floats motionless on a calm. A lantern set up on an immense coil of thick hawser sheds a dull, filtering light on objects near it -- the heavy steel bits for making fast the tow lines, etc. In the rear is the cabin, its misty windows glowing wanly with the light of a lamp inside. The chimney of the cabin stove rises a few feet above the roof. The doleful tolling of bells, on Long Point, on ships at anchor, breaks the silence at regular intervals.

As the curtain rises, ANNA is discovered standing near the coil of rope on which the lantern is placed. She looks healthy, transformed, the natural color has come back to her face. She has on a black, oilskin coat, but wears no hat. She is staring out into the fog astern with an expression of awed wonder. The cabin door is pushed open and CHRIS appears. He is dressed in yellow oilskins -- coat, pants, sou'wester -- and wears high sea-boots.

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