Explore "The Death of the Gods" by Dmitri Sergeyevich Merezhkovsky on Textopian. Read with annotations and highlights.
At Athens, in one of the most frequented cross-roads, a statue modelled by Arsinoe -- _The victorious Octavius holding up the head of Brutus_ -- was exhibited to the people, and the Athenians welcomed in the daughter of the senator Helvidius Priscus a renewer of the art of their golden age. But the special dignitaries whose business was to keep watch on the public temper, officers strangely but rightly nicknamed "Inquisitors," reported to the proper quarters that the statue might arouse liberal sentiments in the people. A resemblance to Julian was discovered in the face of Brutus, and in the work as a whole a criminal allusion to the recent punishment of Gallus. Attempts were made to discover in Octavius some analogy to the Emperor Constantius. The affair took the proportions of an act of treason, and almost fell into the hands of Paul Catena.
Luckily the Imperial chanceries sent direct a severe order to the local magistrate, that not only should the statue disappear from the cross-roads, but that it should be broken to pieces under the eyes of government officials.