Gone Astray by Anton Chekhov (1905)

Name: Gone Astray
Author: Anton Chekhov

The story revolves around a young woman who becomes lost while traveling with her family and must navigate the challenges of being alone in an unfamiliar environment. Her experiences serve as a commentary on the societal norms and expectations placed upon women during this time period.

By Anton Chekhov · First published 1905 · Genre: Comedy, Drama, Slice of Life · 1,961 words

First lines

A country village wrapped in the darkness of night. One o'clock strikes from the belfry. Two lawyers, called Kozyavkin and Laev, both in the best of spirits and a little unsteady on their legs, come out of the wood and turn towards the cottages.

"Well, thank God, we've arrived," says Kozyavkin, drawing a deep breath. "Tramping four miles from the station in our condition is a feat. I am fearfully done up! And, as ill-luck would have it, not a fly to be seen."

What this Textopian page supports

Gone Astray is listed on Textopian as a short story by Anton Chekhov, dated 1905 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Short story
Author: Anton Chekhov
Date: 1905 CE
Language: English
Genres: Comedy, Drama, Slice of Life, Farce, Satire
Length: 1,961 words
Structure: 1 section, 49 paragraphs
Reading fit: Very Easy (5th Grade or below)

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Discussion starters

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How does this short story by Anton Chekhov fit its genre, period, or classroom use?
Where does Comedy first become important in the reading?

Similar titles

Genres

Comedy — The work features humorous situations and misunderstandings, particularly through the drunken antics of the characters.
Drama — The narrative explores themes of human folly, social interactions, and the consequences of one's actions.
Slice of Life — The story captures a moment in the lives of ordinary characters, reflecting their experiences and interactions.
Farce — The exaggerated situations and chaotic events contribute to a farcical tone, emphasizing absurdity.