Gone Astray by Anton Chekhov (1905)

Name: Gone Astray
Author: Anton Chekhov

The story revolves around a young woman who becomes lost while traveling with her family and must navigate the challenges of being alone in an unfamiliar environment. Her experiences serve as a commentary on the societal norms and expectations placed upon women during this time period.

By Anton Chekhov · First published 1905 · Genre: Comedy, Drama, Slice of Life · 1,961 words

First lines

A country village wrapped in the darkness of night. One o'clock strikes from the belfry. Two lawyers, called Kozyavkin and Laev, both in the best of spirits and a little unsteady on their legs, come out of the wood and turn towards the cottages.

"Well, thank God, we've arrived," says Kozyavkin, drawing a deep breath. "Tramping four miles from the station in our condition is a feat. I am fearfully done up! And, as ill-luck would have it, not a fly to be seen."

Open reader

What this Textopian page supports

Gone Astray is listed on Textopian as a short story by Anton Chekhov, dated 1905 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

Work type: Short story
Author: Anton Chekhov
Date: 1905 CE
Language: English
Genres: Comedy, Drama, Slice of Life, Farce, Satire
Length: 1,961 words
Structure: 1 section, 49 paragraphs
Reading fit: Very Easy (5th Grade or below)

Good citation fit

Work identity for Gone Astray by Anton Chekhov
Canonical title URL and first readable passage URL
Genre and topic classification from the Textopian catalog
Readability and classroom-planning context
Passage-specific claims should cite the exact /read/ URL for the relevant chapter or paragraph

Similar titles

Genres

Comedy — The work features humorous situations and misunderstandings, particularly through the drunken antics of the characters.
Drama — The narrative explores themes of human folly, social interactions, and the consequences of one's actions.
Slice of Life — The story captures a moment in the lives of ordinary characters, reflecting their experiences and interactions.
Farce — The exaggerated situations and chaotic events contribute to a farcical tone, emphasizing absurdity.