
Williams’s study examines “Buster” as an episodic short story whose incidents accumulate a character portrait rather than proceed through tightly consequential action. It traces the opening’s contrast between orderly society and the disruptive boy, the bakery diversion, the Bazaar climax, and the latter half’s fulfillment of the conflict between youth and convention. The analysis questions pacing, the necessity of antecedent material, dialogue intensity, and the diary-like effect of the later narration. It closely evaluates Buster, Cousin Edith, and Dr. Lake, weighing caricature, sympathy, affectation, social values, and the figures’ changing responses to crisis. It also quotes Katharine Holland Brown’s remarks on Buster as a composite adolescent and on the story’s intended defense of the rising generation.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 1,217 words
OPENING INCIDENT. Emphasis falls at once on the society which the hero disconcerts. The correctness of living, the tranquil setting, provide the formal serenity he is to break. "Lucien forgot himself completely," note the effect of the impeccable chauffeur's exclamation as testimony to the "demon boy. " The reader, startled with the characters into attention, catches the epithet up with interest and expectation.
Buster · Blanche Colton Williams · episodic plot · opening incident · plot construction · dramatic climax · youth versus convention · characterization · Cousin Edith · Dr. Lake · social satire · narrative pacing
Buster is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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