
Williams’s study of “Imagination” examines how its author minimizes plot and enlarges situation to reveal character under provocation. She traces the club conversation between Orrington, Reynolds, and the first-person narrator, explaining how a current incident draws out Orrington’s twenty-year-old act of generosity and Reynolds’s response to it. The analysis identifies a conflict of attitudes toward struggling writers and contrasts fact-based writing with Reynolds’s claimed imaginative “output.” Williams then directs readers to follow Reynolds’s vanity through reported speech, actions, and narrative suggestion, and to study Orrington’s comic physical portrait alongside his discriminating mind. It closes by asking why the first-person narrator is the most effective viewpoint for the dramatic arrangement.
By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Non-Fiction · 682 words
COMMENT. In "Imagination" the author has directed his skill toward revelation of character -- a free revelation produced by subtle provocation. A man has reacted under a certain stimulus in a given way; under recollection of the incident, twenty years later, he reacts in a manner that intensifies and gives significance to his earlier behavior.
Blanche Colton Williams · How to Study The Best Short Stories · Imagination · close reading · character revelation · Orrington · Reynolds · first-person narrator · framed recollection · delayed disclosure · club conversation · physical characterization
Imagination is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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