In Maulmain Fever-Ward

In Maulmain Fever-Ward

Blanche Colton Williams’s study examines George Gilbert’s “In Maulmain, Fever-Ward” as a deliberately constructed short story rather than retelling it for its own sake. It opens with Gilbert’s statements about flood time, the whirlpool, his swimming experience, regional religious practices, and fiction’s selective use of local reality. Williams then charts the plot from initial impulse through minor and major climaxes to dénouement, testing motivation, suspense, dramatic forecasting, and one apparent manipulation involving the chest and python. The analysis considers the advantages of Paul Brandon’s first-person narration, characterization of Paul, Pra Oom Bwhat, Nagy N’Yang, Ali Beg, and the python, as well as love, religion, local color, snake imagery, atmosphere, scenes, economy, and the credibility of the ending. It closes with Gilbert’s definition of the short story as requiring an “inner voice” and a resolved end.

By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Literary Essay · 1,894 words

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STARTING POINT AND FUNDAMENTAL PROCESSES. "The starting point for ‘In Maulmain, Fever-Ward' is in the first four words of the tale: ‘Flood time on Salwin River. ' Flood time! Then the flowers are rioting, the traders are coming in and of course all things else follow.

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Blanche Colton Williams · George Gilbert · In Maulmain Fever-Ward · short-story construction · plot climax · first-person narrator · Paul Brandon · Pra Oom Bwhat · Nagy N’Yang · whirlpool motif · snake motif · local color

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In Maulmain Fever-Ward is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.

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