
Blanche Colton Williams’s study examines “The Big Stranger on Dorchester Heights” as a slight-plot Incident whose larger significance emerges in its dénouement through the influence of Lincoln. She considers the story’s factual starting point through Mr. Pentz’s account of its oral retelling and later composition, then identifies its omniscient narration and use of Paul’s perspective. The analysis directs attention to the South Boston setting in March 1860, the reason for that date, and recurring local details. It also explains how suspense depends on withholding the Big Stranger’s name, evaluates Lincoln’s characterization through narration and action, and quotes Pentz’s views on simple language, readerly clarity, and subordinating authorial personality to the play of the story.
By Blanche Colton Williams · First published 1919 · Genre: Literary Criticism, Literary Analysis, Literary Essay · 336 words
THE STARTING POINT. Mr. Pentz states, regarding the story and its inception, "Substantially true in fact, it was told and retold to appreciative friends; then it was written at their suggestion. Probably it gathered moss during its latent existence and probably something was lost...."
Technically, the story is an Incident. It has, however, an underlying significance elevating it above the Incident type. This significance becomes manifest in the dénouement, which reveals the influence of Lincoln.
Blanche Colton Williams · The Big Stranger on Dorchester Heights · Mr. Pentz · Lincoln characterization · omniscient narration · Paul’s viewpoint · South Boston · March 1860 setting · Incident story type · withheld identity suspense · dénouement · simple language
The Big Stranger on Dorchester Heights is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.
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