Zelig

Zelig by Blanche Colton Williams

Williams’s study of Benjamin Rosenblatt’s “Zelig” classifies the underlying fiction as a character story with only enough plot to move beyond a sketch. It identifies Zelig’s unsuccessful effort to save money to return to Russia as the central struggle, traces the initial motive, and distinguishes a minor climax in the son’s death from the dramatic turning point in the wife’s statements. The final speech is treated as both climax of action and suggested dénouement. The analysis also examines direct and indirect characterization, Zelig’s conduct and habitual manner, and the functions of his wife, son, grandson, fellow workers, and background figures. It stresses New York’s East Side as a setting inseparable from character and atmosphere, questions the ending’s tragic and rehabilitative implications, and quotes Rosenblatt on inventing rather than copying Zelig from life.

By Blanche Colton Williams · First published 1919 · Genre: Literary Analysis, Literary Criticism, Non-Fiction · 402 words

First lines

CLASSIFICATION. "Zelig" is a character story, with decided emphasis on the character. There is just enough plot to lift it from the realm of the sketch into that of the narrative.

PLOT. The _struggle_ lies in Zelig's attempt to save sufficient money for returning to Russia. It is unsuccessful.

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Zelig · Benjamin Rosenblatt · Blanche Colton Williams · character story · plot structure · dramatic climax · dénouement · characterization · New York’s East Side · setting and atmosphere · tragedy and rehabilitation · authorial statement

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Zelig is listed on Textopian as an essay by Blanche Colton Williams, dated 1919 CE.

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