
The work presents a satirical exploration of murder as an art form, framed through the lens of a fictional society that appreciates homicide aesthetically. The narrator introduces a "Society of Connoisseurs in Murder," where members critique murders as one would evaluate fine art. The lecture format allows for a blend of humor and philosophical musings, as the speaker discusses the evolution of murder from primitive acts to more sophisticated executions, drawing parallels with artistic principles such as design and execution. The speaker references historical and literary figures, including Cain and Shakespeare, to illustrate the artistic merit of various murders. He critiques the moral implications of murder while simultaneously advocating for its appreciation as a form of high art. The narrative oscillates between absurdity and profound commentary on human nature, morality, and societal norms. The speaker emphasizes that true connoisseurs must consider the context, execution, and emotional impact of a murder, ultimately suggesting that the appreciation of such acts can elevate societal taste and sensibility. The work culminates in a reflection on the nature of art and morality, leaving readers to ponder the complexities of both.
By Charles Dickens · First published 1843 · Genre: Crime Fiction, Mystery, Thriller · 13,129 words
We have all heard of a Society for the Promotion of Vice, of the Hell-Fire Club, etc. At Brighton, I think it was, that a Society was formed for the Suppression of Virtue. That Society was itself suppressed; but I am sorry to say that another exists in London, of a character still more atrocious. In tendency, it may be denominated a Society for the Encouragement of Murder; but, according to their own delicate εἰφημισμός, it is styled, The Society of Connoisseurs in Murder. They profess to be curious in homicide; amateurs and dilettanti in the various modes of bloodshed; and, in short, murder-fanciers. Every fresh atrocity of that class, which the police annals of Europe bring up, they meet and criticise as they would a picture, statue, or other work of art. But I need not trouble myself with any attempt to describe the spirit of their proceedings, as you will collect _that_ much better from one of the monthly lectures read before the society last year.
Murder, Considered as One of the Fine Arts. By Thomas de Quincey is listed on Textopian as an essay by Charles Dickens, dated 1843 CE.
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murder · fine arts · literary criticism · philosophy · dark humor · Victorian literature · essay · crime · morality · aesthetics · satire · psychology