
The poem depicts three solitary hills surrounded by woods, embodying a sense of timelessness and resilience. They exist in harmony with nature, dreaming quietly under the sun and whispering in the rain. However, their tranquility is disrupted by human encroachment, as people build homes and alter the landscape, attempting to tame the hills. Despite this, the hills retain their majestic beauty, displaying vibrant colors during the day while concealing the lush greenery beneath. At night, the moon observes the scene, recognizing the frailty of human captors compared to the enduring strength of the hills. The hills communicate with each other, reflecting on their ancient existence that predates humanity. They express confidence in their survival, asserting that they will outlast human endeavors and ultimately remain long after people are forgotten. The poem conveys themes of nature's permanence versus human transience, emphasizing the hills' inevitable return to solitude as they witness the rise and fall of civilizations. The hills symbolize endurance and the cyclical nature of existence, suggesting that while humanity may strive to conquer nature, it is nature that ultimately prevails.
By Charles Pierre Baudelaire · First published 1857 · Genre: Fantasy, Adventure, Mystery · 222 words
There were three hills that stood alone With woods about their feet. They dreamed quiet when the sun shone And whispered when the rain beat.
They wore all three their coronals Till men with houses came And scored their heads with pits and walls And thought the hills were tame.
Red and white when day shines bright They hide the green for miles, Where are the old hills gone? At night The moon looks down and smiles.
She sees the captors small and weak, She knows the prisoners strong, She hears the patient hills that speak: "Brothers, it is not long;
The Three Hills is listed on Textopian as a poem by Charles Pierre Baudelaire, dated 1857 CE.
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poetry · symbolism · romanticism · nature · existentialism · beauty · melancholy · urban life · imagination · transcendence · philosophy · art