The Clever Woman of the Family

The Clever Woman of the Family

Charlotte M. Yonge's novel opens on the twenty-fifth birthday of Rachel Curtis, who resolves that she is now too old for girlish trifles and determines to find "a mission" of real usefulness beyond the conventional charity expected of a young lady in her position at Avonmouth. Her gentler, more conventional sister Grace and their mild widowed mother, Mrs. Curtis, look on with a mixture of indulgence and anxiety at Rachel's strong opinions and impatience with convention. That same day, word arrives that Rachel's cousin, Fanny, Lady Temple, widow of the elderly General Sir Stephen Temple, is returning from abroad with her seven young children after Sir Stephen's sudden death from a fall. Rachel eagerly claims Fanny and her boys as her mission, arranging a house, Myrtlewood, for them near the Homestead. Fanny arrives gentle, dependent, and devoted to her unruly sons—Conrade, Francis, Leoline, Hubert, Wilfred, and Cyril—and baby daughter Stephana, all far less tractable than Rachel expects. Rachel attempts to take charge of the boys' education and discipline, but is thwarted by Fanny's soft-hearted indulgence and the children's mischief, including a dispute over a robbed thrush's nest in which Rachel accuses Conrade of lying and Fanny refuses to believe her son guilty. Fanny's affairs, and much of her deference, are bound up with Major (soon Colonel) Keith, her late husband's trusted military secretary and the children's much-invoked authority, whose continued influence irritates Rachel as a rival to her own guardianship. Rachel and Grace also become acquainted with two genteel but impoverished sisters in Mackarel Lane: Ermine Williams, a bright, witty invalid confined to a wheeled chair since a girlhood accident, and her younger sister Alison, who works as a daily governess and is engaged to teach the Temple boys. The sisters live with Ermine's small niece Rose, having lost their fortune when their brother Edward was ruined by an associate's fraud and forced to flee abroad under suspicion of a crime the sisters believe he never committed. Rachel involves herself in parish matters, sparring with the earnest but socially unpolished curate Mr. Touchett over control of her Sunday-school boys and over the treatment of a poor lace-working family, the Kellands. She also shares her opinionated essays on women's work and education with Ermine, who receives them with tactful, amused reserve. The narrative's central revelation follows: Colonel Keith arrives in Avonmouth and turns out to be Ermine's long-lost former sweetheart, Colin Keith, separated from her twelve years earlier by his family's objections and believed by Alison possibly dead. The reunited pair confirm their unbroken mutual devotion, and Colin readily accepts Ermine's account of her brother's innocence. However, upon learning the full extent of Ermine's disability, Colin proposes marriage, and Ermine firmly refuses him, insisting she will not let him bind himself to "a wretched remnant" and that he must consider himself free. She permits his continued visits as a friend but forbids any talk of the past attachment becoming known, swearing Fanny—who has guessed the truth and offers to host the Williams sisters at Myrtlewood—to secrecy. Rachel remains oblivious to this romance, chiefly resentful of Colonel Keith's authority over Fanny and irritated by the arrival of other military acquaintances, including the languid young officer Alick Keith, with whom she clashes over the meaning of true heroism.

By Charlotte M. Yonge · First published 1865 · Genre: Domestic Fiction, Victorian Novel, Social Commentary · 30 chapters · 220,292 words

First lines

"Thou didst refuse the daily round / Of useful, patient love, / And longedst for some great emprise / Thy spirit high to prove. " / C. M. N.

"Che mi sedea con l'antica Rachele."

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Victorian fiction · Coming of age · Family drama · Social reform · Female protagonist · Romance · Religious themes · British literature · Women's education · Charity work · Moral development · Domestic fiction

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