The Revolutionary

The Revolutionary by D.H. Lawrence

The narrative explores themes of authority, societal ideals, and personal disillusionment. The speaker critiques the rigid structures upheld by those in power, referred to as "pale-faces" and "caryatids," who symbolize the oppressive nature of societal expectations and moral standards. The speaker expresses a profound sense of fatigue and frustration with the constraints imposed by these ideals, feeling trapped within a civilization that prioritizes superficiality and rigidity over genuine human experience. The imagery of a collapsing sky serves as a metaphor for the inevitable downfall of these ideals, suggesting that the speaker longs for liberation from the burdens of societal norms. The speaker identifies as a "blind Samson," indicating a struggle against the weight of responsibility and the desire to break free from the constraints of a hollow civilization. The contrast between the speaker's perception of the world and that of the "pale-faces" highlights a deep sense of alienation and a yearning for authenticity. Ultimately, the work conveys a powerful message about the need for personal and societal transformation, advocating for a rejection of oppressive ideals in favor of embracing the raw, unfiltered aspects of existence. The speaker's defiance suggests a desire to reclaim agency and redefine what it means to live authentically.

By D.H. Lawrence · First published 1921 · Genre: Historical Fiction, Literary Fiction, Political Fiction · 758 words

First lines

Look at them standing there in authority The pale-faces, As if it could have any effect any more.

Pale-face authority, Caryatids, Pillars of white bronze standing rigid, lest the skies fall.

What this Textopian page supports

The Revolutionary is listed on Textopian as a short story by D.H. Lawrence, dated 1921 CE.

This source record anchors work identity, reading entry points, and catalog context for checking claims about the work.

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revolution · politics · social change · individualism · identity · conflict · human nature · freedom · oppression · philosophy · class struggle · modernism

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